Ebook {Epub PDF} Modernist Alchemy: Poetry and the Occult by Timothy Materer

 · Materer's dual intentions can become irreconcilable; he wants the occult to be taken seriously, but not so seriously that it is the only thing in the poetry, because then it can be marginalized. Thus at times Materer agrees that the occult was used aesthetically, perhaps as an attempt to discover something imperishable, and that alchemy was 'a metaphor for poetic art' (pp. ).Article Type: Book Review. Knowledge of English is determined not only by pure pronunciation. Often, Modernist Alchemy: Poetry And The Occult|Timothy Materer. even students are asked to write a short essay or story in order to determine the level of proficiency in written English/10(). Modernist Alchemy takes a close look at the work of twentieth-century poets whose use of the occult constitutes a recovery of discarded beliefs and modes of thought: Yeats and Plath try to dismiss conventional religion, Hughes captures a sense of adventure, H.D. seeks to liberate repressed concepts, while Duncan and Merrill hunt for a lost understanding of sexual identity which will allow for androgyny Cited by:

Modernist Alchemy: Poetry and the Occult. By TIMOTHY MATERER. Ithaca, NY, and London: Cornell University Press. xx + pp. [pounds sterling]. In a gesture typical of the attractive, lucid style of this book, Materer candidly prefaces it by telling us what not to expect: 'The book is not a survey of occultism in modern poetry but a. bltadwin.ru: Modernist Alchemy: Poetry and the Occult () by Materer, Timothy and a great selection of similar New, Used and Collectible Books available now at great prices. Bibliographic Details; Modernist alchemy: poetry and the occult / Timothy Materer. Author / Creator: Materer, Timothy,

timothy materer kopen = en bekijk snel waar timothy materer nog te verkrijgen is ⭐. Modernist Alchemy. Poetry and the Occult, Timothy Materer, Hardcover. Modernist Alchemy takes a close look at the work of twentieth-century poets whose use of the occult constitutes a recovery of discarded beliefs and modes of thought: Yeats and Plath try to dismiss conventional religion, Hughes captures a sense of adventure, H.D. seeks to liberate repressed concepts, while Duncan and Merrill hunt for a lost understanding of sexual identity which will allow for androgyny and homosexuality. Modernist Alchemy takes a close look at the work of twentieth-century poets whose use of the occult constitutes a recovery of discarded beliefs and modes of thought: Yeats and Plath try to dismiss conventional religion, Hughes captures a sense of adventure, H.D. seeks to liberate repressed concepts, while Duncan and Merrill hunt for a lost understanding of sexual identity more.