A fifty-line fragment by the poet Stesichorus of Sicily (c. B.C.), what survives of his Pallinode, tells us almost all we know of this other Helen, and from it H. D. wove her book-length poem. Yet Helen in Egypt is not a simple retelling of the Egyptian legend but a recreation of the many myths surrounding Helen, Paris, Achilles, Theseus, and other figures of Greek tradition, fused with the mysteries of Cited by: When H. D., or Hilda Doolittle, completed her long poem Helen in Egypt in , she explicitly construed it as a response to the rambling, ultimately unfinished modernist epic, The Cantos, by her contemporary, correspondent, friend, and sometime lover, Ezra Pound. H. D. wrote Helen in Egypt in the early s, although it remained unpublished until shortly after her death in The poem can be understood as a feminist response to the idea that it was a woman who caused a vast and cataclysmic war – that Helen of Troy was Estimated Reading Time: 5 mins.
The fabulous beauty of Helen of Troy is legendary. But some say that Helen was never in Troy, that she had been conveyed by Zeus to Egypt, and that Greeks and Trojans alike fought for an illusion. A fifty-line fragment by the poet Stesichorus of Sicily (c. B.C.), what survives of his Pallinode, tells us almost all we know of this other Helen, and from it H. D. wove her book-length poem. During the s, H.D. wrote a considerable amount of poetry, most notably Helen in Egypt (written between and ), an examination of a male-centred epic poetry from a feminist point of view. She used Euripides ' play Helen as a starting point for a reinterpretation of the basis of the Trojan War and, by extension, of war itself. [44]. She published numerous poetry collections, including Sea Garden (Constable and Company, ) and Helen in Egypt (Grove Press, ). She died in Occasions women's history month Themes enemies About H. D. sign up for poem-a-day Receive a new poem in your inbox daily. Email Address.
H. D. wrote Helen in Egypt in the early s, although it remained unpublished until shortly after her death in The poem can be understood as a feminist response to the idea that it was a woman who caused a vast and cataclysmic war – that Helen of Troy was responsible for the suffering and deaths of countless men. A fifty-line fragment by the poet Stesichorus of Sicily (c. B.C.), what survives of his Pallinode, tells us almost all we know of this other Helen, and from it H. D. wove her book-length poem. Yet Helen in Egypt is not a simple retelling of the Egyptian legend but a recreation of the many myths surrounding Helen, Paris, Achilles, Theseus, and other figures of Greek tradition, fused with the mysteries of Egyptian hermeticism. Helen in Egypt, Eidolon, Book III: 4. H. D. - Helen herself seems almost ready for this sacrifice--at least, for the immolation of herself before this greatest love of Achilles, his dedication to "his own ship" and the figurehead, "an idol or eidolon a mermaid, Thetis upon the prow." Did her eyes slant in the old way? was she Greek or Egyptian? had some Phoenician sailor wrought her? was she oak-wood or cedar? had she been cut from an awkward block of ship-wood at the.
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